Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 111
... character who is the primary stimulus ( Vibhava ) that initiates the aesthetic reaction in the aesthetic situation , plastically shaped by the poetic creati- vity . Ordinarily , the Anubhava is a mimetic form , the transposition into ...
... character who is the primary stimulus ( Vibhava ) that initiates the aesthetic reaction in the aesthetic situation , plastically shaped by the poetic creati- vity . Ordinarily , the Anubhava is a mimetic form , the transposition into ...
Pagina 169
... character and the interaction of characters . The experience does not shed its pain ; but in becoming analysable it does shed its power to stun the sensibility into a blind stupe- faction . The initial experience , standing in isolation ...
... character and the interaction of characters . The experience does not shed its pain ; but in becoming analysable it does shed its power to stun the sensibility into a blind stupe- faction . The initial experience , standing in isolation ...
Pagina 201
... character and situation in all forms , there is a flexible range of modification , possible and expected according to the literary form . Bhoja also speaks of language according to the character ( Patranurupa - Bhashatvam ) and refers ...
... character and situation in all forms , there is a flexible range of modification , possible and expected according to the literary form . Bhoja also speaks of language according to the character ( Patranurupa - Bhashatvam ) and refers ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Gupta absolute accept action aesthetic aesthetic experience aesthetic relish affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna heart human I. A. Richards Ibid imagination integration intuition Kavya Krishna Kuntaka liberation living Mallarmé Mammata meaning mind monism moral myth nature object objective correlative Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry profound prose psychological pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin stimulus suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth ultimate unconscious Upanishad Valéry Valmiki Veda Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote