Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 111
... character who is the primary stimulus ( Vibhava ) that initiates the aesthetic reaction in the aesthetic situation , plastically shaped by the poetic creati- vity . Ordinarily , the Anubhava is a mimetic form , the transposition into ...
... character who is the primary stimulus ( Vibhava ) that initiates the aesthetic reaction in the aesthetic situation , plastically shaped by the poetic creati- vity . Ordinarily , the Anubhava is a mimetic form , the transposition into ...
Pagina 169
... character and the interaction of characters . The experience does not shed its pain ; but in becoming analysable it does shed its power to stun the sensibility into a blind stupe- faction . The initial experience , standing in isolation ...
... character and the interaction of characters . The experience does not shed its pain ; but in becoming analysable it does shed its power to stun the sensibility into a blind stupe- faction . The initial experience , standing in isolation ...
Pagina 201
... character and situation in all forms , there is a flexible range of modification , possible and expected according to the literary form . Bhoja also speaks of language according to the character ( Patranurupa - Bhashatvam ) and refers ...
... character and situation in all forms , there is a flexible range of modification , possible and expected according to the literary form . Bhoja also speaks of language according to the character ( Patranurupa - Bhashatvam ) and refers ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote