Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 49
Only one writer , Visvesvara " of the fourteenth century , has written a work on poetics with a title specifi- cally mentioning beauty . And even this work opens with the statement that beauty ( Chamatkara ) is the sensitive reader's ...
Only one writer , Visvesvara " of the fourteenth century , has written a work on poetics with a title specifi- cally mentioning beauty . And even this work opens with the statement that beauty ( Chamatkara ) is the sensitive reader's ...
Pagina 76
Jayadeva ( thirteenth century ) gives about one hundred and Appayya Dikshita ( seventeenth century ) adds a score more . The two broad divi- sions were the ideational figures ( Arthalamkara ) which related to the sense and the verbal ...
Jayadeva ( thirteenth century ) gives about one hundred and Appayya Dikshita ( seventeenth century ) adds a score more . The two broad divi- sions were the ideational figures ( Arthalamkara ) which related to the sense and the verbal ...
Pagina 118
The basic text of the doctrine of suggestion is the Dhvanyaloka.1 From the eleventh century onwards , the assumption becomes fairly universal that the author of this classic is Ananda Vardhana of the ninth century .
The basic text of the doctrine of suggestion is the Dhvanyaloka.1 From the eleventh century onwards , the assumption becomes fairly universal that the author of this classic is Ananda Vardhana of the ninth century .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote
Informații bibliografice
| Titlu | Sanskrit Poetics: A Critical and Comparative Study |
| Autor | Krishna Chaitanya |
| Editor | Asia Publishing House, 1965 |
| Exemplar original de la | Universitatea din Michigan |
| Scanată la | 12 mai 2008 |
| Lungime | 466 pagini |
| Exportă citatul | BiBTeX EndNote RefMan |