Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 56
Pagina 46
... body for action in emotional situations . The rush of blood in anger and the faster pulse give the body greater energy to attack or repulse the object that aroused the anger . But it would be naive to regard the bodily changes as the ...
... body for action in emotional situations . The rush of blood in anger and the faster pulse give the body greater energy to attack or repulse the object that aroused the anger . But it would be naive to regard the bodily changes as the ...
Pagina 89
... body which is strictly functional and structural and ideally responsive to the mind which controls the body . Both Ananda Vardhana and Mahima Bhatta " emphasise that the figure should be thus irremovable , structural , organic . But ...
... body which is strictly functional and structural and ideally responsive to the mind which controls the body . Both Ananda Vardhana and Mahima Bhatta " emphasise that the figure should be thus irremovable , structural , organic . But ...
Pagina 366
... body but the psychophysical self , the ego . The self is the self - luminous principle without which the intellect ... body and the antecedent experiential function- ings . Also there is a claim for identification with each of these ...
... body but the psychophysical self , the ego . The self is the self - luminous principle without which the intellect ... body and the antecedent experiential function- ings . Also there is a claim for identification with each of these ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote