Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 49
THE CONCEPT OF BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to as the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to ...
THE CONCEPT OF BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to as the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to ...
Pagina 51
Ella Sharpe , 111 who considers beauty as essentially rhythm , defines the ugly as the arhythmic , where the sought rhythm has not been able to make the tissue align itself with the significant pattern of undulation and movement .
Ella Sharpe , 111 who considers beauty as essentially rhythm , defines the ugly as the arhythmic , where the sought rhythm has not been able to make the tissue align itself with the significant pattern of undulation and movement .
Pagina 55
Santayana127 defines beauty as " pleasure regarded as the quality of a thing " . Signor Perenna's statement that the beautiful is " that which pleases the mind as objective value " indicates an identical outlook .
Santayana127 defines beauty as " pleasure regarded as the quality of a thing " . Signor Perenna's statement that the beautiful is " that which pleases the mind as objective value " indicates an identical outlook .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote