Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 13
... basic emotion . The modulations are the refractions of the basic emotion when the perspective and the light and shade change . The tran- sient shades arise with their specific feeling - tones just because the basic emotion is there ...
... basic emotion . The modulations are the refractions of the basic emotion when the perspective and the light and shade change . The tran- sient shades arise with their specific feeling - tones just because the basic emotion is there ...
Pagina 307
... basic sentiment ( Sthayin ) and as a derived emotion ( Vyabhichari ) . But Hema Chandra " 1 anticipates and rejects ... basic sentiments ( Sthayins ) studied by aesthetic theory , therefore , are only the derived emo- tions ...
... basic sentiment ( Sthayin ) and as a derived emotion ( Vyabhichari ) . But Hema Chandra " 1 anticipates and rejects ... basic sentiments ( Sthayins ) studied by aesthetic theory , therefore , are only the derived emo- tions ...
Pagina 313
... basic emotion which can take many forms . Kavi Karnapura98 also considers this supreme love ( Preman ) as inclusive of various modifications . It includes the affection of friendship ( Sakhya ) as in the case of Arjuna and Krishna ; the ...
... basic emotion which can take many forms . Kavi Karnapura98 also considers this supreme love ( Preman ) as inclusive of various modifications . It includes the affection of friendship ( Sakhya ) as in the case of Arjuna and Krishna ; the ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote