Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 24
... artist and at the same expresses his feeling . That is , it has a concrete reality which does not need any further reference outside the contours of its form to the prior experience of the artist , because that experience has been ...
... artist and at the same expresses his feeling . That is , it has a concrete reality which does not need any further reference outside the contours of its form to the prior experience of the artist , because that experience has been ...
Pagina 34
... artist's ) work would tend to become mono- tonous and devitalised and would grow too subjective in character , " wrote Margaret Bulley.1 Somerset Maugham2 clarifies this interaction between world and art . " The author does not only ...
... artist's ) work would tend to become mono- tonous and devitalised and would grow too subjective in character , " wrote Margaret Bulley.1 Somerset Maugham2 clarifies this interaction between world and art . " The author does not only ...
Pagina 46
... artist , to share in other words the mysterious but exhilaratory experience of creation . Dewey76 also concurs with the view that the sensitive reader is " of like heart " with the poet . The artist and audience should not be separated ...
... artist , to share in other words the mysterious but exhilaratory experience of creation . Dewey76 also concurs with the view that the sensitive reader is " of like heart " with the poet . The artist and audience should not be separated ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote