Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 76
But the difficulty in understanding the real meaning of Vamana's concept increased as the number of poetic figures defined by analysis multiplied . Jayadeva ( thirteenth century ) gives about one hundred and Appayya Dikshita ...
But the difficulty in understanding the real meaning of Vamana's concept increased as the number of poetic figures defined by analysis multiplied . Jayadeva ( thirteenth century ) gives about one hundred and Appayya Dikshita ...
Pagina 114
The analysis of metres in terms of their efficacy to be the vehicles of feeling was begun very early in Indian poetics . Katyayana0 ( third century B. C. ) is one of the oldest writers in this field . He discusses the appropriateness of ...
The analysis of metres in terms of their efficacy to be the vehicles of feeling was begun very early in Indian poetics . Katyayana0 ( third century B. C. ) is one of the oldest writers in this field . He discusses the appropriateness of ...
Pagina 199
As this discipline becomes enriched by the subtle analysis of various aspects of the poetic form by many writers , the extended poem becomes as distinctive a stylised presentation , an aesthetic creation , as the drama .
As this discipline becomes enriched by the subtle analysis of various aspects of the poetic form by many writers , the extended poem becomes as distinctive a stylised presentation , an aesthetic creation , as the drama .
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote