Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 45
... aesthetic recreation of poetry in the enjoyment of it . The aesthetic emotion is transferred only when there is an ideal reawakening of it in the reader . Ananda Vardhana1 briefly describes the process by which this awakening takes ...
... aesthetic recreation of poetry in the enjoyment of it . The aesthetic emotion is transferred only when there is an ideal reawakening of it in the reader . Ananda Vardhana1 briefly describes the process by which this awakening takes ...
Pagina 48
... aesthetic presentation , Sanskrit poetics expects this mobilisation of sensibility to be stabilised as a habit before the reader can mature into a critic . Abhinavas9 says that the more a man is attuned to aesthetic impressions from ...
... aesthetic presentation , Sanskrit poetics expects this mobilisation of sensibility to be stabilised as a habit before the reader can mature into a critic . Abhinavas9 says that the more a man is attuned to aesthetic impressions from ...
Pagina 214
... aesthetic context implied the swinging into action of this power of the poet ( Kavi Vyapara ) . By the very fact that the stimuli ( Vibhavas , etc. ) are components of an aesthetic presentation , they become , as Jagannatha points out ...
... aesthetic context implied the swinging into action of this power of the poet ( Kavi Vyapara ) . By the very fact that the stimuli ( Vibhavas , etc. ) are components of an aesthetic presentation , they become , as Jagannatha points out ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote