Sanskrit Poetics: A Critical and Comparative Study |
Din interiorul cărții
Rezultatele 1 - 3 din 55
Pagina 29
Bhatta Nayaka's most important contribution is the clarification that aesthetic experience is , to use the term of Ducasse , 151 an endotelic activity . Activity is ectotelic when the end is external to and other than the activity ...
Bhatta Nayaka's most important contribution is the clarification that aesthetic experience is , to use the term of Ducasse , 151 an endotelic activity . Activity is ectotelic when the end is external to and other than the activity ...
Pagina 39
When Maritain asserts that creativity of the spirit is the first ontological root of artistic activity in the vital dynamism of fine arts , prior experience should be taken as elliptically understood . Only when sensitive experience is ...
When Maritain asserts that creativity of the spirit is the first ontological root of artistic activity in the vital dynamism of fine arts , prior experience should be taken as elliptically understood . Only when sensitive experience is ...
Pagina 293
Such phasic activities " are often behaviouristically relevant to a future possible event rather than to a past ... in support of the need to distinguish between the autonomous and the reflexogenous activity of the nervous system .
Such phasic activities " are often behaviouristically relevant to a future possible event rather than to a past ... in support of the need to distinguish between the autonomous and the reflexogenous activity of the nervous system .
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
16 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote