Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 154
... accept all the implications latent in the cue given by Abhinava . Since feeling was supreme in poetry , the exact modality of its evocation was secondary ; there should not be any too hard dictation about it . Thus , even while accepting ...
... accept all the implications latent in the cue given by Abhinava . Since feeling was supreme in poetry , the exact modality of its evocation was secondary ; there should not be any too hard dictation about it . Thus , even while accepting ...
Pagina 306
... accepted as a Rasa suitable for literary delineation . The persistence of misunderstanding vitiates large areas ... accept Bunyan's Pilgrim's Progress as the most spiritual of all literary compositions . But , as we shall see later ...
... accepted as a Rasa suitable for literary delineation . The persistence of misunderstanding vitiates large areas ... accept Bunyan's Pilgrim's Progress as the most spiritual of all literary compositions . But , as we shall see later ...
Pagina 330
... accept that time and history are predetermined and therefore “ irredeemable " . It cannot accept that voyagers in the journey of life change in an unrelated sequence , without a core persisting which can transform change into growth ...
... accept that time and history are predetermined and therefore “ irredeemable " . It cannot accept that voyagers in the journey of life change in an unrelated sequence , without a core persisting which can transform change into growth ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Gupta absolute accept action aesthetic aesthetic experience aesthetic relish affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna heart human I. A. Richards Ibid imagination integration intuition Kavya Krishna Kuntaka liberation living Mallarmé Mammata meaning mind monism moral myth nature object objective correlative Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry profound prose psychological pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin stimulus suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth ultimate unconscious Upanishad Valéry Valmiki Veda Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote