Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 154
... accept all the implications latent in the cue given by Abhinava . Since feeling was supreme in poetry , the exact modality of its evocation was secondary ; there should not be any too hard dictation about it . Thus , even while accepting ...
... accept all the implications latent in the cue given by Abhinava . Since feeling was supreme in poetry , the exact modality of its evocation was secondary ; there should not be any too hard dictation about it . Thus , even while accepting ...
Pagina 306
... accept Santa as the greatest Rasa , because of its relation to the ultimate , and the greatest , of the four goals of man ( Purushartha ) -liberation ( Moksha ) . He says that literature , poetry and drama cannot restrict themselves to ...
... accept Santa as the greatest Rasa , because of its relation to the ultimate , and the greatest , of the four goals of man ( Purushartha ) -liberation ( Moksha ) . He says that literature , poetry and drama cannot restrict themselves to ...
Pagina 330
... accept that time and history are predetermined and therefore " irredeemable " . It cannot accept that voyagers in the journey of life change in an unrelated sequence , without a core persisting which can transform change into growth ...
... accept that time and history are predetermined and therefore " irredeemable " . It cannot accept that voyagers in the journey of life change in an unrelated sequence , without a core persisting which can transform change into growth ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote