Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 441
Rig Veda , IX . 84.1 . 81. Atharva Veda , XIX . 60 . Rig Veda , VIII . 18. 22. 84. Rig Veda , I. 89. 9 . Rig Veda . Quoted . V. Raghavan : The Indian Heritage , p . 48 ( Banglore , 1956 ) . Dhvanyaloka , p . 203 . 79 .
Rig Veda , IX . 84.1 . 81. Atharva Veda , XIX . 60 . Rig Veda , VIII . 18. 22. 84. Rig Veda , I. 89. 9 . Rig Veda . Quoted . V. Raghavan : The Indian Heritage , p . 48 ( Banglore , 1956 ) . Dhvanyaloka , p . 203 . 79 .
Pagina 443
Rig Veda , I. 147. 1 . Rig Veda , Ibid ; Shukla Yajur Veda , X. 24 . 58. Satapatha Brahmana , XI . 1.6.24 . 59 . 60 . 61 . 62 . Rig Veda , VIII . 100. 4 . A. C. Bose : The Call of the Vedas , p . 27 ( Bombay , 1951 ) .
Rig Veda , I. 147. 1 . Rig Veda , Ibid ; Shukla Yajur Veda , X. 24 . 58. Satapatha Brahmana , XI . 1.6.24 . 59 . 60 . 61 . 62 . Rig Veda , VIII . 100. 4 . A. C. Bose : The Call of the Vedas , p . 27 ( Bombay , 1951 ) .
Pagina 446
165 ( Adyar , Madras , 1940 ) . Ibram Lassaw , quoted , Contemporary American Painting and Sculpture , pp . 196-97 ( University of Illinois , 1953 ) . Yajur Veda , XXXII . 8. 187. Rig Veda , V. 85-2 . 188. Rig Veda , I. 24.7 .
165 ( Adyar , Madras , 1940 ) . Ibram Lassaw , quoted , Contemporary American Painting and Sculpture , pp . 196-97 ( University of Illinois , 1953 ) . Yajur Veda , XXXII . 8. 187. Rig Veda , V. 85-2 . 188. Rig Veda , I. 24.7 .
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THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote