Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 145
... Rasa without the slightest reservation in spite of his commitments regarding suggestion . Affirmations about the supremacy of Rasa are scattered generously through- out the Dhvanyaloka . There is no glory in poetic endeavour which does ...
... Rasa without the slightest reservation in spite of his commitments regarding suggestion . Affirmations about the supremacy of Rasa are scattered generously through- out the Dhvanyaloka . There is no glory in poetic endeavour which does ...
Pagina 154
... ( Rasa ) , there lingered an ambivalence in theory , for , here , suggestion does not completely restore to feeling the status of supreme poetic value which it had usurped . This is because the formulation does not give an unambiguous ...
... ( Rasa ) , there lingered an ambivalence in theory , for , here , suggestion does not completely restore to feeling the status of supreme poetic value which it had usurped . This is because the formulation does not give an unambiguous ...
Pagina 190
... Rasa ) while the dominant emotion of the Maha Bharata on which the drama is based is tranquillity ( Santa Rasa ) . Thus , if the bulk of Sanskrit drama is based on the material of epics and ballads and if Raja Sekhara gives tips for ...
... Rasa ) while the dominant emotion of the Maha Bharata on which the drama is based is tranquillity ( Santa Rasa ) . Thus , if the bulk of Sanskrit drama is based on the material of epics and ballads and if Raja Sekhara gives tips for ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote