Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 144
... Dhvani ( Dhvani Kavya ) in which the ( expressed ) word and sense , subordinating themselves , manifest that ( other suggested ) sense . " But now it is not just a particular kind of poetry , it alone is the highest poetry for Dhvani is ...
... Dhvani ( Dhvani Kavya ) in which the ( expressed ) word and sense , subordinating themselves , manifest that ( other suggested ) sense . " But now it is not just a particular kind of poetry , it alone is the highest poetry for Dhvani is ...
Pagina 148
... Dhvani theorists , Mallarmé opposes direct expression , the naming of an object , for poetic enjoyment comes from divination . He prefers the suggested image ( Alamkara Dhvani ) , the image emanating from the reveries which things ...
... Dhvani theorists , Mallarmé opposes direct expression , the naming of an object , for poetic enjoyment comes from divination . He prefers the suggested image ( Alamkara Dhvani ) , the image emanating from the reveries which things ...
Pagina 153
... Dhvani theorists them- selves , after first raising Dhvani or suggestion to the status of the supreme poetic value , restored feeling or Rasa to that status later . An enriched feeling is contained in the poem . Why should it be ...
... Dhvani theorists them- selves , after first raising Dhvani or suggestion to the status of the supreme poetic value , restored feeling or Rasa to that status later . An enriched feeling is contained in the poem . Why should it be ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote