Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 190
... Bharata on which the drama is based is tranquillity ( Santa Rasa ) . Thus , if the bulk of Sanskrit drama is based on the material of epics and ballads and if Raja Sekhara gives tips for plagiarising , it must be strictly understood ...
... Bharata on which the drama is based is tranquillity ( Santa Rasa ) . Thus , if the bulk of Sanskrit drama is based on the material of epics and ballads and if Raja Sekhara gives tips for plagiarising , it must be strictly understood ...
Pagina 199
... Bharata's section126 on the text of the drama is earlier in substance , if not in date , than the earliest existing Kavya or long narrative poem . Here we get a developed theory of poetics , as distinguished from dramaturgy . Bharata ...
... Bharata's section126 on the text of the drama is earlier in substance , if not in date , than the earliest existing Kavya or long narrative poem . Here we get a developed theory of poetics , as distinguished from dramaturgy . Bharata ...
Pagina 437
... Bharata Natya Sastra , Ch . XIII . 87. Ibid . , Ch . XIII . 42 . D. F. Tovey : Essays and Lectures on Music ( London , 1949 ) . 89. Raja Sekhara : Kavya Mimamsa , p . 9 . 90 . Bhoja : Srngara Prakasa , Vol . III , pp . 208-36 . 91 ...
... Bharata Natya Sastra , Ch . XIII . 87. Ibid . , Ch . XIII . 42 . D. F. Tovey : Essays and Lectures on Music ( London , 1949 ) . 89. Raja Sekhara : Kavya Mimamsa , p . 9 . 90 . Bhoja : Srngara Prakasa , Vol . III , pp . 208-36 . 91 ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote