Sanskrit Poetics: A Critical and Comparative Study |
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Pagina 118
The basic text of the doctrine of suggestion is the Dhvanyaloka.1 From the eleventh century onwards , the assumption becomes fairly universal that the author of this classic is Ananda Vardhana of the ninth century .
The basic text of the doctrine of suggestion is the Dhvanyaloka.1 From the eleventh century onwards , the assumption becomes fairly universal that the author of this classic is Ananda Vardhana of the ninth century .
Pagina 119
Ananda Vardhana claimed that this Nishpatti really meant Abhivyakti , manifestation , as the emotional reaction was abiding , as latent reactivity , in the reader . And since what made the Rasa manifest itself in the poetic context was ...
Ananda Vardhana claimed that this Nishpatti really meant Abhivyakti , manifestation , as the emotional reaction was abiding , as latent reactivity , in the reader . And since what made the Rasa manifest itself in the poetic context was ...
Pagina 120
Ananda Vardhana rebelled . Our task , therefore , is going to be a difficult one . We have to realise the fine critical insight revealed in the theory of resonance and pay our homage , which can never be too excessive , to Ananda ...
Ananda Vardhana rebelled . Our task , therefore , is going to be a difficult one . We have to realise the fine critical insight revealed in the theory of resonance and pay our homage , which can never be too excessive , to Ananda ...
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Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote