That my frayle eies these lines with teares do steepe, Is from her Knight divorced in despayre, And her dew loves deryv'd2 to that vyle Witches shayre. III. Yet she, most faithfull Ladie, all this while. Far from all peoples preace, as in exile, Through that late vision which th' Enchaunter wrought, Through woods and wastness wide him daily sought, IV. One day, nigh wearie of the yrkesome way, It fortuned, out of the thickest wood A ramping lyon5 rushed suddeinly, VI. Instead thereof he kist her wearie feet, 1 True as touch-i. e. true as the touchstone by which other substances are tried. 2 Deryv'd-transferred. 3 Preace-press or throng. 4 Undight-took off. 5 A ramping lyon.-Upton conjectures the lion to be the English monarch, the defender of the faith. He seems rather to represent a manly and courageous people, like the English, and the homage he pays to Una betokens the respect which would be felt by such a people to beauty and innocence, 6 As-as i.: 7 Weet-understand. Her hart gan melt in great compassion; VII. "The lyon, lord of everie beast in field,” Quoth she, "his princely puissance doth abate, As the god of my life? why hath he me abhord ?" VIII. Redounding1 tears did choke th' end of her plaint, To seek her strayed Champion if she might attaynė. IX. The lyon would not leave her desolate, Book I. Canto III. DESCRIPTION OF PRINCE ARTHUR. XXIX. At last she chaunced by good hap to meet Athwart his brest a bauldrick brave he ware, That shind, like twinkling stars, with stones most pretious rare: XXX. And, in the midst thereof, one pretious stone Of wondrous worth, and eke of wondrous mights, docnding-flowing. a A goodly Knight.-This is Prince Arthur, in whose faultless excellence Spenser is supposed to have represented his illustrious friend, Sir Philip Sidney, whose beautiful character and splendid acoo.nplish nentų kindled a warmth of admiration among his contemporaries, of which we find it dificult to ence've in our colder and more prosaic age. Shapt like a Ladies head, exceeding shone, XXXI. His haughtie helmet, horrid all with gold, Both glorious brightnesse and great terrour bredd: With greedie pawes, and over all did spredd XXXII. Upon the top of all his loftie crest, A bounch of heares discolourd diversly, With sprincled pearle and gold full richly drest, Like to an almond tree ymounted hye On top of greene Selinis2 all alone, With blossoms brave bedecked daintily; Whose tender locks do tremble every one At everie little breath, that under heaven is blowne. Book I. Canto VII DESCRIPTION OF BELPHŒBE. XXI. Eftsoone3 there stepped foorth A goodly Ladie1 clad in hunters weed, That seemd to be a woman of great worth, And by her stately portance5 borne of heavenly birth. XXII. Her face so faire, as flesh it seemed not, The which ambrosiall odours from them threw, 1 Slights-devices. 2 Greene Selinis.-Selinis is evidently the name of some hill or mountain, which I do not find in any book of reference within reach. Upton, strangely enough, supposes it to be Selinus, a city in Cilicia, to which he applies an epithet, "Palmosa," applied by Virgil to another city of the same name in Sicily. After this double blunder, he remarks, with amusing simplicity, "The simile of the almondtree is exceeding elegant, and much after the cast of that admired image in Homer," &c. Todd copies the whole without comment.-Hillard. 8 Eftsoone-immediately. 4 A goodly Ladie, &c.-In the beautiful and elaborate portrait of Belphœbe, Spenser has drawn a flattered likeness of Queen Elizabeth. 5 Portance-demeanor. And gazers sence with double pleasure fed, XXIII. In her faire eyes two living lamps did flame, She broke his wanton darts, and quenched bace desyre. XXIV. Her yvoire forhead, full of bountie brave, Like a broad table did itselfe dispred, All good and honour might therein be red; For there their dwelling was. And, when she spake, A silver sound, that heavenly musicke seemd to make. XXV. Upon her eyelids many Graces sate, Working belgardes3 and amorous retrate; 4 And everie one with meekenesse to her bowes: So glorious mirrhour of celestiall grace, And soveraine moniment of mortall vowes, How shall frayle pen descrive her heavenly face, XXVI. So faire, and thousand thousand times more faire, She seemd, when she presented was to sight; And was yclad, for heat of scorching aire, All in a silken camus5 lilly whight, 6 Purfled upon with many a folded plight,7 Which all above besprinckled was throughout Like twinckling starres; and all the skirt about XXX. Her yellow lockes,9 crisped like golden wyre, And, when the winde emongst them did inspyre,10 1 Persant-piercing. 2 Rubins-rubies. 3 Belgardes-sweet looks. 1 Retrate-picture. 6 Camus-thin dress. 6 Purfled-embroidered. 7 Plight-plait. 8 Aygulets-tagged poir.is. 9 The yellow locks of Queen Elizabeth enter largely into the descriptions of beauty by the poets of her reign. 10 Inspyre-breathe. And low behinde her backe were scattered: Book II. Canto III. THE CARE OF ANGELS OVER MEN. I. And is there care in heaven? And is there love In heavenly spirits to these creatures bace, That may compassion of their evils move? There is: else much more wretched were the cace Of Highest God that loves his creatures so, II. How oft do they their silver bowers leave O, why should Hevenly God to men have such regard! Book II. Canto VIII. THE SEASONS. XXVIII. So forth issew'd the Seasons of the yeare: First, lusty Spring all dight3 in leaves of flowres And in his hand a iavelin he did beare, And on his head (as fit for warlike stoures4) A guilt engraven morion6 he did weare; That as some did him love, so others did him feare. XXIX. Then came the iolly Sommer, being dight 7 He wore, from which, as he had chauffed been, 1 Lap-entwine themselves. 3 Gilded, 2 Yielding. 6 Helmet. 8 Adorned. 7 Chafed, heated. 4 Encounters. |