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First follow Nature, and your judgment frame By her just standard, which is still the same: Unerring NATURE, still divinely bright, One clear, unchang'd, and universal light, Life, force, and beauty, must to all impart, At once the source, and end, and test of Art. Art from that fund each just supply provides; Works without show, and without pomp presides: In some fair body thus th' informing soul With spirits feeds, with vigour fills the whole, Each motion guides, and ev'ry nerve sustains; Itself unseen, but in th' effects remains. Some, to whom Heav'n in wit has been profuse, Want as much more, to turn it to its use; For wit and judgment often are at strife, Tho' meant each other's aid, like man and wife. 'Tis more to guide, than spur the Muse's steed; Restrain his fury, than provoke his speed; The winged courser, like a gen'rous horse, Shews most true mettle when you check his course. Those RULES of old discover'd, not devis'd, Are Nature still, but Nature methodiz'd; Nature, like Liberty, is but restrain'd By the same laws which first herself ordain'd. Hear how learn'd Greece her useful rules indites, When to repress, and when indulge our flights: High on Parnassus' top her sons she show'd, And pointed out those arduous paths they trod; Held from afar, aloft, th' immortal prize, And urg'd the rest by equal steps to rise. Just precepts thus from great examples given, She drew from them what they deriv'd from Heav'n. The gen'rous Critic fann'd the poet's fire, And taught the world with Reason to admire. Then Criticism the Muse's handmaid prov'd, To dress her charms, and make her more belov'd: But following wits from that intention stray'd, Who could not win the mistress, woo'd the maid; Against the poets their own arms they turn'd, Sure to hate most the men from whom they learn'd. So modern 'Pothecaries, taught the art By Doctors' Bills to play the Doctor's part, Bold in the practice of mistaken rules, Prescribe, apply, and call their masters fools.
Some on the leaves of ancient authors prey,
Nor time nor moths e'er spoil'd so much as they:
Some drily plain, without invention's aid,
Write dull receipts how poems may be made.
These leave the sense, their learning to display,
And those explain the meaning quite away.
You, then, whose judgment the right course would steer,
Know well each ANCIENT's proper character;
His Fable, Subject, scope in ev'ry page,
Religion, Country, genius of his Age:
Without all these at once before your eyes,
Cavil you may, but never criticize.
Be Homer's works your study and delight,
Read them by day, and meditate by night:
Thence form your judgment, thence your maxims bring,
And trace the Muses upward to their spring.
Still with itself compar'd, his text peruse;
And let your comment be the Mantuan Muse.
When first young Maro in his boundless mind
A work t'outlast immortal Rome design'd,
Perhaps he seem'd above the critic's law,
And but from Nature's fountain scorn'd to draw:
But when t' examine ev'ry part he came,
Nature and Homer were, he found, the same.
Convinc'd, amaz'd, he checks the bold design:
And rules as strict his labour'd verse confine,
As if the Stagirite o'erlook'd each line.
Learn hence for ancient rules a just esteem;
To copy Nature is to copy them.
Some beauties yet no Precepts can declare,
For there's a happiness as well as care.
Music resembles Poetry, in each
Are nameless Graces which no methods teach,
And which a master hand alone can reach.
If, where the rules not far enough extend,
(Since rules were made but to promote their end)
Some lucky licence answer to the full
Th' intent propos'd, that licence is a rule.
Thus Pegasus, a nearer way to take,
May boldly deviate from the common track;
From vulgar bounds with brave disorder part,
And snatch a grace beyond the reach of art,
Which, without passing through the judgment, gains
The heart, and all its end at once attains.
In prospects thus, some objects please our eyes,
Which out of Nature's common order rise,
The shapeless rock, or hanging precipice.
Great Wits sometimes may gloriously offend,
And rise to faults true Critics dare not mend/
But tho' the Ancients thus their rules invade,
(As kings dispense with laws themselves have made)
Moderns, beware! or if you must offend
Against the Precept, ne'er transgress its End;
Let it be seldom, and compell'd by need;
And have, at least, their precedent to plead.
The Critic else proceeds without remorse,
Seizes your fame, and puts his laws in force.
I know there are, to whose presumptuous thoughts,
Those freer beauties, ev'n in thein, seem faults.
Some figures monstrous, and mis-shap'd appear,
Consider'd singly, or beheld too near,
Which, but proportion'd to their light, or place,
Due distance reconciles to form and grace.
A prudent chief not always must display
His pow'rs in equal ranks, and fair array,
But with th' occasion and the place comply,
Conceal his force, nay seem sometimes to fly.
Those oft are stratagems which errors seem,
Nor is it Homer nods, but we that dream.
Still green with bays each ancient altar stands,
Above the reach of sacrilegious hands;
Secure from flames, from Envy's fiercer rage,
Destructive War, and all-involving Age.
See from each clime the learn'd their incense bring!"
Hear, in all tongues consenting Pæans ring!
In praise so just let ev'ry voice be join'd,
And fill the gen'ral chorus of mankind.
Hail, Bards triumphant! born in happier days;
Immortal heirs of universal praise!
Whose honours with increase of ages grow,
As streams roll down, enlarging as they flow;
Nations unborn your mighty names shall sound,
And worlds applaud that must not yet be found!
may some spark of your celestial fire
The last, the meanest of your sons inspire,
That on weak wings, from far, pursues your flights;
Glows while he reads, but trembles as he writes.
CAUSES that MISLEAD the JUDGMENT in CRITI CISING the WRITINGS of OTHERS.
(POPE'S ESSAY ON CRITICISM.)
Of all the Causes which conspire to blind
Man's erring judgment, and misguide the mind,
What the weak head with strongest bias rules,
Is PRIDE, the never-failing vice of fools.
Whatever Nature has in worth deny'd,
She gives in large recruits of needful Pride.
For as in bodies, so in souls, we find
What wants in blood and spirits, swell'd with wind:
Pride, where Wit fails, steps in to our defence,
And fills up all the mighty void of sense.
If once right reason drives that cloud away,
Truth breaks upon us with resistless day.
Trust not yourself; but your defects to know,
Make use of ev'ry friend-and ev'ry foe.
A little learning is a dang'rous thing;
Drink deep, or taste not the Pierian spring:
There shallow draughts intoxicate the brain,
And drinking largely sobers us again.
Fir'd at first sight with what the Muse imparts,
In fearless youth we tempt the heights of Arts,
While from the bounded level of our mind,
Short views we take, nor see the lengths behind.
But more advanc'd, behold with strange surprize
New distant scenes of endless science rise!
So pleas'd at first the tow'ring Alps we try,
Mount o'er the vales, and seem to tread the sky,
Th' eternal snows appear already past,
And the first clouds and mountains seem the last:
But, those attain'd, we tremble to survey
The growing labours of the lengthen'd way,
Th' increasing prospect tires our wand'ring eyes,
Hills peep o'er hills, and Alps on Alps arise!
A perfect Judge will read each work of Wit
With the same spirit that its author writ:
Survey the WHOLE, nor seek slight faults to find
Where Nature moves, and rapture warms the mind;
Nor lose, for that malignant dull delight,
The gen'rous pleasure to be charm'd with wit:
But in such lays as neither ebb, nor flow,
Correctly cold, and regularly low,
That shunning faults, one quiet tenor keep;
We cannot blame indeed-but we may sleep.
In Wit, as Nature, what affects our hearts
Is not th' exactness of peculiar parts;
'Tis not a lip, or eye, we beauty call,
But the joint force and full result of all.
Thus when we view some well-proportion'd dome,
(The world's just wonder, and ev'n thine, O Rome!)
No single parts unequally surprize,
All comes united to th' admiring eyes;
No monstrous height, or breadth, or length appea
The Whole at once is bold, and regular.
Whoever thinks a faultless piece to see,
Thinks what ne'er was, nor is, nor e'er shall be.
In every work regard the writer's end,
Since none can compass more than they intend;
And if the means be just, the conduct true,
Applause, in spite of trivial faults, is due.
As men of breeding, sometimes men of wit,
T'avoid great errors, must the less commit:
Neglect the rules each verbal Critic lays,
For not to know some trifles, is a praise.
Most Critics, fond of some subservient art,
Still make the Whole depend upon a Part:
They talk of principles, but notions prize,
And all to one lov'd Folly sacrifice.
Once on a time, La Mancha's knight, they say,
A certain Bard encount'ring on the way,
Discours'd in terms as just, with looks as sage,
As e'er could Dennis, of the Grecian stage;
Concluding all were desp'rate sots and fools,
Who durst depart from Aristotle's rules.
Our Author, happy in a judge so nice,
Produc'd his Play, and begg'd the Knight's advice;
Made him observe the subject, and the plot,
The manners, passions, unities; what not?
All which exact to rule were brought about,
Were but a combat in the lists left out.
"What! leave the combat out?" exclaims the Knight, Yes, or we must renounce the Stagirite.
"Not so by Heav'n (he answers in a rage)
"Knights, 'squires, and steeds, must enter on the stage." So vast a throng the stage can ne'er contain. "Then build a new, or act it in a plain."