Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina
... victims of the war " ( this volume , p . 43 ) . The remainder of the paintings are in the same color scheme and compositional arrangements of this popular tranquil landscape genre but are packed with scenes of torture a sort of ...
... victims of the war " ( this volume , p . 43 ) . The remainder of the paintings are in the same color scheme and compositional arrangements of this popular tranquil landscape genre but are packed with scenes of torture a sort of ...
Pagina 3
... victim under the sacred limbs of this symbol of freedom . This montage style picture shows the destruction to the infrastructure of Sierra Leone . The blue temporary houses on the right hand of the picture represent the displacement ...
... victim under the sacred limbs of this symbol of freedom . This montage style picture shows the destruction to the infrastructure of Sierra Leone . The blue temporary houses on the right hand of the picture represent the displacement ...
Pagina 8
... victims are mainly female or non- combatants . The identification and location of the power to brutalize and to make war in masculinity is significant because in a way , it reflects the larger reality of male agency in the Sierra ...
... victims are mainly female or non- combatants . The identification and location of the power to brutalize and to make war in masculinity is significant because in a way , it reflects the larger reality of male agency in the Sierra ...
Pagina 10
... victims by helping the chil- dren remember trauma and incorporate that memory into a larger definition of self so that the person can transcend that experience . Oyètádé and Fashole - Luke develop their close analysis of linguistic ...
... victims by helping the chil- dren remember trauma and incorporate that memory into a larger definition of self so that the person can transcend that experience . Oyètádé and Fashole - Luke develop their close analysis of linguistic ...
Pagina 13
... victims , but by mutilating them and leaving them as living symbols of terror .. The rebels , pointing guns , forced [ Mr. Jusu Njaka ] and his neighbors under a mango tree . " Because there was a root on where you could put your hands ...
... victims , but by mutilating them and leaving them as living symbols of terror .. The rebels , pointing guns , forced [ Mr. Jusu Njaka ] and his neighbors under a mango tree . " Because there was a root on where you could put your hands ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth