Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina
... symbol of the Sierra Leone polity . In both paintings the cotton tree is off center . In Handiwork of Child Combatants the consequences of the dead left to be eaten by dogs before the cotton tree are displayed on the opposite side of ...
... symbol of the Sierra Leone polity . In both paintings the cotton tree is off center . In Handiwork of Child Combatants the consequences of the dead left to be eaten by dogs before the cotton tree are displayed on the opposite side of ...
Pagina 3
... symbol of Freetown as a " province of freedom " is the cotton tree that stands in the center of the city . The tree is a prominent figure in Simeon Benedict Sesay's Handiwork of Child Combatants ( plate 24 ) , the water- color that ...
... symbol of Freetown as a " province of freedom " is the cotton tree that stands in the center of the city . The tree is a prominent figure in Simeon Benedict Sesay's Handiwork of Child Combatants ( plate 24 ) , the water- color that ...
Pagina 13
... symbols of terror .. The rebels , pointing guns , forced [ Mr. Jusu Njaka ] and his neighbors under a mango tree . " Because there was a root on where you could put your hands firmly , " he recalled . " Then [ Mr. Junior ] took a big ax ...
... symbols of terror .. The rebels , pointing guns , forced [ Mr. Jusu Njaka ] and his neighbors under a mango tree . " Because there was a root on where you could put your hands firmly , " he recalled . " Then [ Mr. Junior ] took a big ax ...
Pagina 17
... symbol for the craze of the war and fury that had taken hold of Europe in 1917. In his later works he illustrated the disillusionment and shock in the after- math of World War I depicting victims of the catastrophe of the war , the ...
... symbol for the craze of the war and fury that had taken hold of Europe in 1917. In his later works he illustrated the disillusionment and shock in the after- math of World War I depicting victims of the catastrophe of the war , the ...
Pagina 18
... symbolism points out the ineffability of the horrors as an inherent problem and renders the crisis of representation visible where tra- ditional means of representation have failed . Against the claim that the horrific experiences are ...
... symbolism points out the ineffability of the horrors as an inherent problem and renders the crisis of representation visible where tra- ditional means of representation have failed . Against the claim that the horrific experiences are ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth