Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina 18
... referred to in Latin as " ho- locaust . " Other artists make the failure of representation the topic of their art by displaying the void and thus drawing attention to the crisis . Jochen Gerz's monument against fascism Mahnmal gegen ...
... referred to in Latin as " ho- locaust . " Other artists make the failure of representation the topic of their art by displaying the void and thus drawing attention to the crisis . Jochen Gerz's monument against fascism Mahnmal gegen ...
Pagina 71
... ( referred to as the perpetrators ) , the aid community en masse , and the vic- tims of the conflict . I hope to demonstrate that language is representative of violent experiences and becomes rou- tinized in everyday life . Out of this ...
... ( referred to as the perpetrators ) , the aid community en masse , and the vic- tims of the conflict . I hope to demonstrate that language is representative of violent experiences and becomes rou- tinized in everyday life . Out of this ...
Pagina 73
... referred to as the ' holy trinity . ' This was not only a new term but ' holy trinity ' effectively symbolized the Euro - Christian heritage of most aid organizations . The moralizing dis- course which was sometimes imported with faith ...
... referred to as the ' holy trinity . ' This was not only a new term but ' holy trinity ' effectively symbolized the Euro - Christian heritage of most aid organizations . The moralizing dis- course which was sometimes imported with faith ...
Pagina 92
... referred to as Stan- dard Krio . The following forms reflect Standard Krio : a . Dis na mi padi . ' This is my friend . ' b . A taya . ' I am tired . ' c . Tek tem . ' Be careful . ' d . Memba mi we yu de kam ya./Sɛn fɔ mi ya . 3. The ...
... referred to as Stan- dard Krio . The following forms reflect Standard Krio : a . Dis na mi padi . ' This is my friend . ' b . A taya . ' I am tired . ' c . Tek tem . ' Be careful . ' d . Memba mi we yu de kam ya./Sɛn fɔ mi ya . 3. The ...
Pagina 95
... referred to as a ' Love game ' or ' forty - love , ' while in table tennis , 5-0 is referred to as ' five - love ' . It may well be that the thumb left unsevered is seen as ' one ' and that the rest of the chopped off fingers is seen as ...
... referred to as a ' Love game ' or ' forty - love , ' while in table tennis , 5-0 is referred to as ' five - love ' . It may well be that the thumb left unsevered is seen as ' one ' and that the rest of the chopped off fingers is seen as ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth