Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina
... military and the complicated material interests that fueled this horror . This disastrous situation led to a powerful artistic response which is represented in the exhibition Representations of Violence : Art about the Sierra Leone ...
... military and the complicated material interests that fueled this horror . This disastrous situation led to a powerful artistic response which is represented in the exhibition Representations of Violence : Art about the Sierra Leone ...
Pagina 7
... military depth against Liberian opposition militias and the regional pea- cekeeping force , the Economic Community Monitoring Group ( ECOMOG ) . Some views propose that the Sierra Leonean civil war was a consequence of sub - regional po ...
... military depth against Liberian opposition militias and the regional pea- cekeeping force , the Economic Community Monitoring Group ( ECOMOG ) . Some views propose that the Sierra Leonean civil war was a consequence of sub - regional po ...
Pagina 9
... military junta , the National Provi- sional Ruling Council ( NPRC ) of Sierra Leone . Chris- tensen establishes a firm connection between public im- age and social mobilization , highlighting that artistic license can positively alter ...
... military junta , the National Provi- sional Ruling Council ( NPRC ) of Sierra Leone . Chris- tensen establishes a firm connection between public im- age and social mobilization , highlighting that artistic license can positively alter ...
Pagina 10
... military activities , the morality of war , the everyday , and to pro- cess the horror and terror associated with the violence . They also point out the seemingly gendered uses of these new language forms . The general feeling that ...
... military activities , the morality of war , the everyday , and to pro- cess the horror and terror associated with the violence . They also point out the seemingly gendered uses of these new language forms . The general feeling that ...
Pagina 15
... military caste which has sunk Spain in an ocean of pain and death . " ( The New York Times , 19 December 1947 , cited in Chipp 1988 : 160 ) Later , towards the end of the war , he is reported to have said : " I did not paint the war ...
... military caste which has sunk Spain in an ocean of pain and death . " ( The New York Times , 19 December 1947 , cited in Chipp 1988 : 160 ) Later , towards the end of the war , he is reported to have said : " I did not paint the war ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth