Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina 7
... memories that have been captured on the various surfaces in this collection of art that are central to discussions in ... Memory presented thus fore- grounds the memorable : those features , acts , and events that are defining moments of ...
... memories that have been captured on the various surfaces in this collection of art that are central to discussions in ... Memory presented thus fore- grounds the memorable : those features , acts , and events that are defining moments of ...
Pagina 8
... memory of the war experience . The essays in this volume therefore build a discursive shell around these representations of that memory . The principles of selection involved construct- ing a method for discussing the madness of the ...
... memory of the war experience . The essays in this volume therefore build a discursive shell around these representations of that memory . The principles of selection involved construct- ing a method for discussing the madness of the ...
Pagina 9
... memory , thereby giving a voice to the voiceless . Christensen develops the artistic and rhetorical con- nections that youth groups and an artist draw between historical images of youthful resistance and fortitude prevailing by sheer ...
... memory , thereby giving a voice to the voiceless . Christensen develops the artistic and rhetorical con- nections that youth groups and an artist draw between historical images of youthful resistance and fortitude prevailing by sheer ...
Pagina 10
... memory into a larger definition of self so that the person can transcend that experience . Oyètádé and Fashole - Luke develop their close analysis of linguistic change during war time from the funda- mental premise that human activity ...
... memory into a larger definition of self so that the person can transcend that experience . Oyètádé and Fashole - Luke develop their close analysis of linguistic change during war time from the funda- mental premise that human activity ...
Pagina 18
... memory . The nightmarish scraps and flashes of memory , shocking , disturbing , and disruptive at first , begin to form a structure , usually the form of a narrative that eventually allows analysis of the experience . Eric Fischl , the ...
... memory . The nightmarish scraps and flashes of memory , shocking , disturbing , and disruptive at first , begin to form a structure , usually the form of a narrative that eventually allows analysis of the experience . Eric Fischl , the ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth