Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina
... colors to give his painting a techni- color nightmarish quality . Osman Tuzy Kamason uses a 1930s mural style of painting figures , but all of his scenes are of small tight enclosed spaces and the plain workers of the 1930s murals have ...
... colors to give his painting a techni- color nightmarish quality . Osman Tuzy Kamason uses a 1930s mural style of painting figures , but all of his scenes are of small tight enclosed spaces and the plain workers of the 1930s murals have ...
Pagina
... color print- ing . A small island nation's worth of thanks goes to Sharon Jennings who is responsible for fixing up my very unskilled typesetting maneuvers and for insisting on making adjustments I wasn't expert enough to know I wanted ...
... color print- ing . A small island nation's worth of thanks goes to Sharon Jennings who is responsible for fixing up my very unskilled typesetting maneuvers and for insisting on making adjustments I wasn't expert enough to know I wanted ...
Pagina 3
... color that initially inspired this entire exhibition . In this painting , casualties of the Freetown invasion lie at the base of the cotton tree ; a dog feeds on a victim under the sacred limbs of this symbol of freedom . This montage ...
... color that initially inspired this entire exhibition . In this painting , casualties of the Freetown invasion lie at the base of the cotton tree ; a dog feeds on a victim under the sacred limbs of this symbol of freedom . This montage ...
Pagina 33
... color as it re- lated to women favored for sex in a parallel of the racial hierarchy in the well known characterization of Amer- ican racism : If you're white , you're right , if you're brown , stick aroun ' , if you're black get back ...
... color as it re- lated to women favored for sex in a parallel of the racial hierarchy in the well known characterization of Amer- ican racism : If you're white , you're right , if you're brown , stick aroun ' , if you're black get back ...
Pagina 37
... color on these canvases , but because in these post - September 11 times we are forced to sus- pect that we may not be quite as far removed from such events as we might have previously liked to believe . As an art educator interested in ...
... color on these canvases , but because in these post - September 11 times we are forced to sus- pect that we may not be quite as far removed from such events as we might have previously liked to believe . As an art educator interested in ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth