Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina
... civilians by both the rebels and the military and the complicated material interests that fueled this horror . This disastrous situation led to a powerful artistic response which is represented in the exhibition Representations of ...
... civilians by both the rebels and the military and the complicated material interests that fueled this horror . This disastrous situation led to a powerful artistic response which is represented in the exhibition Representations of ...
Pagina 2
... civilians , and vigilante style retaliation against those suspected of murder as in Mob Justice ( plate 38 ) by Osman Tuzy Kamason based on a particular incident that occurred February 12 , 1998 . Other paintings depict famous rebel ...
... civilians , and vigilante style retaliation against those suspected of murder as in Mob Justice ( plate 38 ) by Osman Tuzy Kamason based on a particular incident that occurred February 12 , 1998 . Other paintings depict famous rebel ...
Pagina 3
... civilians as the rebels they were fighting against . In Conteh's paint- ing Doomsday ( plate 31 ) , referring to the 1999 invasion of the capital city of Freetown , the rebels and soldiers have joined hands together against the civilians ...
... civilians as the rebels they were fighting against . In Conteh's paint- ing Doomsday ( plate 31 ) , referring to the 1999 invasion of the capital city of Freetown , the rebels and soldiers have joined hands together against the civilians ...
Pagina 5
... the rebels best known for cutting off the limbs of civilians , in- cluding children , to make a political statement . More 5 nally understood the situation for what it was : a situa- FEINGOLD Opening Remarks for the Madison Exhibition.
... the rebels best known for cutting off the limbs of civilians , in- cluding children , to make a political statement . More 5 nally understood the situation for what it was : a situa- FEINGOLD Opening Remarks for the Madison Exhibition.
Pagina 6
... civilian popu- lations hostage in order to win concessions , and even the guise of legitimacy , from the international community- and a group of people working with them , who accu- mulate riches gained as a result of terror and ...
... civilian popu- lations hostage in order to win concessions , and even the guise of legitimacy , from the international community- and a group of people working with them , who accu- mulate riches gained as a result of terror and ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth