Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina
... Opala in this book's companion film shot and directed by Abdul Mousa as well as Karin Wolf in her " Notes from the Co - curator " in this volume . In the case of Prince Foday Musa Kallon's Peace of Nature ( plate 10 ) , he paints the ...
... Opala in this book's companion film shot and directed by Abdul Mousa as well as Karin Wolf in her " Notes from the Co - curator " in this volume . In the case of Prince Foday Musa Kallon's Peace of Nature ( plate 10 ) , he paints the ...
Pagina
... Opala who served as our hu- manities scholar and mentor and offered us much in- valuable advice . During the initial stages of this endeavor a committee formed to guide us in the pre - production and production of the exhibition . I ...
... Opala who served as our hu- manities scholar and mentor and offered us much in- valuable advice . During the initial stages of this endeavor a committee formed to guide us in the pre - production and production of the exhibition . I ...
Pagina 21
... ( Opala 1994 : 4 ) . Viewing the NPRC military coup as a sign that their urban youth values had triumphed after decades of ma- nipulation by the hegemonic elite , the youth took their paintbrushes to the long - neglected urban landscape ...
... ( Opala 1994 : 4 ) . Viewing the NPRC military coup as a sign that their urban youth values had triumphed after decades of ma- nipulation by the hegemonic elite , the youth took their paintbrushes to the long - neglected urban landscape ...
Pagina 25
... Opala ( 1994 ) . litical instability . However , by the chain of visual as- sociations generated in the images that he juxtaposes , Tarawalie nevertheless efficiently links ECOMOG through Liberia's rebel military commander Charles Tay ...
... Opala ( 1994 ) . litical instability . However , by the chain of visual as- sociations generated in the images that he juxtaposes , Tarawalie nevertheless efficiently links ECOMOG through Liberia's rebel military commander Charles Tay ...
Pagina 26
... Opala ( 1994 : II ) notes , at least one painter replaced the toga he wears in the Jocelyn original with the red war shirt of Sierra Leone's Limba ethnic group and others replicated the spear motif that we see in Tarawalie's painting.8 ...
... Opala ( 1994 : II ) notes , at least one painter replaced the toga he wears in the Jocelyn original with the red war shirt of Sierra Leone's Limba ethnic group and others replicated the spear motif that we see in Tarawalie's painting.8 ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth