Representations of Violence: Art about the Sierra Leone Civil WarRuss Feingold, Abu-Hassan Koroma and Karin Wolf, Donald Cosentino, Sabine Mödersheim, Mathew J. Christensen, Jonathan A. Peters, Mariama Ross, Rebecca Golden, John D. Ogram, Akintunde Oyetade Twenty-First Century African Youth Movement, Inc., 2005 - 100 pagini This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action. |
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Pagina
... center of this sort of painting and taken as a symbol of the Sierra Leone polity . In both paintings the cotton tree is off center . In Handiwork of Child Combatants the consequences of the dead left to be eaten by dogs before the ...
... center of this sort of painting and taken as a symbol of the Sierra Leone polity . In both paintings the cotton tree is off center . In Handiwork of Child Combatants the consequences of the dead left to be eaten by dogs before the ...
Pagina 3
... center of the city . The tree is a prominent figure in Simeon Benedict Sesay's Handiwork of Child Combatants ( plate 24 ) , the water- color that initially inspired this entire exhibition . In this painting , casualties of the Freetown ...
... center of the city . The tree is a prominent figure in Simeon Benedict Sesay's Handiwork of Child Combatants ( plate 24 ) , the water- color that initially inspired this entire exhibition . In this painting , casualties of the Freetown ...
Pagina 9
... Center ) in Sierra Leone notes that visual images of civil war violence are mere externalizations of a deeper psychological trauma in- flicted on Sierra Leoneans during the civil war . The im- perative for the treatment of this trauma ...
... Center ) in Sierra Leone notes that visual images of civil war violence are mere externalizations of a deeper psychological trauma in- flicted on Sierra Leoneans during the civil war . The im- perative for the treatment of this trauma ...
Pagina 18
... Center , commented on the role of art : " This is what a culture looks to art for , to put image , or voice , or context to a way of rethinking , re- seeing , re - experiencing " ( The New York Times Maga- zine , 27 October , 2002 : 15 ) ...
... Center , commented on the role of art : " This is what a culture looks to art for , to put image , or voice , or context to a way of rethinking , re- seeing , re - experiencing " ( The New York Times Maga- zine , 27 October , 2002 : 15 ) ...
Pagina 25
... center wrapped in an improvised ECOMOG banner . Mitigating against viewing the two as separate works , Tarawalie perfectly centers the portrait and ECOMOG flags under a border of decorative masonry along the top edge of the wall , and ...
... center wrapped in an improvised ECOMOG banner . Mitigating against viewing the two as separate works , Tarawalie perfectly centers the portrait and ECOMOG flags under a border of decorative masonry along the top edge of the wall , and ...
Termeni și expresii frecvente
acts African Amistad amputation armed artists artwork atrocities attack brutal Child Rescue Center civil war violence civilians conflict confusão Conteh cultural death depicted diamond Diamonds Are Forever drawings ECOMOG Education exhibition experience fight Foday Sankoh forces Fourah Bay College Freetown girls global horror human images January Johnny Paul Koroma Kamajors Kayn Pis killed Lahai language Leone's lexical items Liberia lives meaning memory Mende military Milton Margai Momoh Moses Silma Musa narrative Nigerian NPRC Opala Osman Tuzy Kamason Otto Dix painting peace Pieh's Pis Pis Pis plate play political psychological trauma Rambo raped rebels regime Representations of Violence Revolutionary United Front RUF/SL scenes Sengbe Pieh Sierra Leone Civil Sierra Leonean slave social soldiers song story symbol Tarawalie tion Tuzy victims viewers village violence in Sierra visual wahala Watercolor on paper women word Yorùbá young youth