Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 94
... speech is brilliant in its self - protective rhetoric . Othello begins his speech by reminding his auditors of what he has done for the state and he concludes by rendering his final service . Set you down this ; And say besides that in ...
... speech is brilliant in its self - protective rhetoric . Othello begins his speech by reminding his auditors of what he has done for the state and he concludes by rendering his final service . Set you down this ; And say besides that in ...
Pagina 123
... speech Lear invites the thunderbolts to singe his white head . This points to another aspect of his relation to the storm ; and it leads , I think , to the next speech in which he sees himself no longer as the director of the storm's ...
... speech Lear invites the thunderbolts to singe his white head . This points to another aspect of his relation to the storm ; and it leads , I think , to the next speech in which he sees himself no longer as the director of the storm's ...
Pagina 127
... speech Lear shows a remarkable growth in compassion : Poor naked wretches , whereso'er you are , That bide the pelting of this pitiless storm , How shall your houseless heads and unfed sides , Your loop'd and window'd raggedness ...
... speech Lear shows a remarkable growth in compassion : Poor naked wretches , whereso'er you are , That bide the pelting of this pitiless storm , How shall your houseless heads and unfed sides , Your loop'd and window'd raggedness ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged