Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 183
... side , that dislikes cruelty and is given to loving - kindness and Christian charity . Shakespeare is afraid of his feminine side and employs " aggressive mas- culinity . . . as a defense against it " ( Holland 1966 , 141-142 ) ; he can ...
... side , that dislikes cruelty and is given to loving - kindness and Christian charity . Shakespeare is afraid of his feminine side and employs " aggressive mas- culinity . . . as a defense against it " ( Holland 1966 , 141-142 ) ; he can ...
Pagina 184
... side of Shakespeare's personality to be dominant ( see Dowden 1910 ) . Brandes felt that Shakespeare's strong reaction to evil was partly the result of his idealism : " the natural tendency of his youth had been to see good everywhere ...
... side of Shakespeare's personality to be dominant ( see Dowden 1910 ) . Brandes felt that Shakespeare's strong reaction to evil was partly the result of his idealism : " the natural tendency of his youth had been to see good everywhere ...
Pagina 266
... side of Prospero is embodied in the storm , his compassionate side is embodied in Miranda , who is full of pity for the suffering of the " poor souls " who seem to have " perish'd " ( I , ii ) . Since Miranda is the product of ...
... side of Prospero is embodied in the storm , his compassionate side is embodied in Miranda , who is full of pity for the suffering of the " poor souls " who seem to have " perish'd " ( I , ii ) . Since Miranda is the product of ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged