Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 136
... says this shows that there are " justicers " above ( IV , ii ) ; and he speaks of the deaths of Goneril and Regan as the " judgment of the heavens ” ( V , iii ) . Edgar says that “ the gods are just " ; the " dark and vicious place ...
... says this shows that there are " justicers " above ( IV , ii ) ; and he speaks of the deaths of Goneril and Regan as the " judgment of the heavens ” ( V , iii ) . Edgar says that “ the gods are just " ; the " dark and vicious place ...
Pagina 142
... says that " All friends shall taste / The wages of their virtue , and all foes / The cup of their deservings " ( V , iii ) , but this is followed immediately by the death of Lear and Kent's prediction that he will soon follow his master ...
... says that " All friends shall taste / The wages of their virtue , and all foes / The cup of their deservings " ( V , iii ) , but this is followed immediately by the death of Lear and Kent's prediction that he will soon follow his master ...
Pagina 233
... says that some have " in them more feet than the verses would bear " ( III , ii ) . Like Phebe , Orlando says that he will " die " if his passion is not reciprocated . Rosalind is as " love - shaked " ( III , ii ) as Orlando . She ...
... says that some have " in them more feet than the verses would bear " ( III , ii ) . Like Phebe , Orlando says that he will " die " if his passion is not reciprocated . Rosalind is as " love - shaked " ( III , ii ) as Orlando . She ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged