Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 46
... reality . Our earthly realm is not a just order but is ruled by fortune . Hamlet's attack on the capriciousness of fate is most fully articulated in the speech he asks the player to recite describing the murder of Priam : " Out , out ...
... reality . Our earthly realm is not a just order but is ruled by fortune . Hamlet's attack on the capriciousness of fate is most fully articulated in the speech he asks the player to recite describing the murder of Priam : " Out , out ...
Pagina 108
... reality ” ( 1972 , 68 ) , as Mack insists we should , is to miss a large part of Shakespeare's achievement . From a thematic point of view , King Lear seems to be a story of moral growth through suffering . The play has a tragic ...
... reality ” ( 1972 , 68 ) , as Mack insists we should , is to miss a large part of Shakespeare's achievement . From a thematic point of view , King Lear seems to be a story of moral growth through suffering . The play has a tragic ...
Pagina 192
... reality and in its bargain with fate . In the Henry VI plays , however , he presents the world as the Machiavels see it , as an amoral process in which the strong devour the weak . The perfec- tionistic solution is vindicated in Richard ...
... reality and in its bargain with fate . In the Henry VI plays , however , he presents the world as the Machiavels see it , as an amoral process in which the strong devour the weak . The perfec- tionistic solution is vindicated in Richard ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged