Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 135
Psychological Crises and Conflicts in Shakespeare and His Plays Bernard J. Paris. The play is about the crushing of Lear's pride , which leads him to become self - effacing . From some perspectives this may look like spiritual growth ...
Psychological Crises and Conflicts in Shakespeare and His Plays Bernard J. Paris. The play is about the crushing of Lear's pride , which leads him to become self - effacing . From some perspectives this may look like spiritual growth ...
Pagina 143
... play held the stage . One reason for this is that the play seems to be moving in the direction of poetic justice when Lear suddenly enters carrying Cordelia's body . Up to this point , the evil ones have been punished and the virtuous ...
... play held the stage . One reason for this is that the play seems to be moving in the direction of poetic justice when Lear suddenly enters carrying Cordelia's body . Up to this point , the evil ones have been punished and the virtuous ...
Pagina 144
... play . It is his final and most compelling instance of unjust suffering , one with which none of the characters can cope . Another way of approaching the problem is to ask how Cordelia's death fits into the dominant fantasy of the play ...
... play . It is his final and most compelling instance of unjust suffering , one with which none of the characters can cope . Another way of approaching the problem is to ask how Cordelia's death fits into the dominant fantasy of the play ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
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Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged