Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 129
... observed in his " Reason not the need " speech ( II , iv ) , clothing symbolizes status ; it distinguishes men from each other and man from the beasts . Poor Tom shows Lear how little there is separating man from the lower animals ...
... observed in his " Reason not the need " speech ( II , iv ) , clothing symbolizes status ; it distinguishes men from each other and man from the beasts . Poor Tom shows Lear how little there is separating man from the lower animals ...
Pagina 151
... observed , it has " become something of a cliche of modern criticism to say that the essential structure of Macbeth is ' to be sought in the poetry ' ( L. C. Knights ) , that the characters are not shaped primarily to conform to a ...
... observed , it has " become something of a cliche of modern criticism to say that the essential structure of Macbeth is ' to be sought in the poetry ' ( L. C. Knights ) , that the characters are not shaped primarily to conform to a ...
Pagina 283
... observed in his response to this chapter , " You can kill people in plays without hurting anyone . " 5. David Sundelson observed that “ much in the play that might pass for dissent only adds to Prospero's stature - the brief quarrel ...
... observed in his response to this chapter , " You can kill people in plays without hurting anyone . " 5. David Sundelson observed that “ much in the play that might pass for dissent only adds to Prospero's stature - the brief quarrel ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged