Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 29
... martial valor in behalf of the community ; and in some of Shakespeare's most highly approved characters , such as Talbot ( 1 Henry VI ) and Henry V , this combination occurs . Often , however , the code of martial and manly honor is ...
... martial valor in behalf of the community ; and in some of Shakespeare's most highly approved characters , such as Talbot ( 1 Henry VI ) and Henry V , this combination occurs . Often , however , the code of martial and manly honor is ...
Pagina 188
... martial side , Shakespeare treats him in a positive manner . When villains like Richard and Macbeth die fighting bravely , this creates a confusion of effect . They have preserved their " honor " in terms of the martial code , but they ...
... martial side , Shakespeare treats him in a positive manner . When villains like Richard and Macbeth die fighting bravely , this creates a confusion of effect . They have preserved their " honor " in terms of the martial code , but they ...
Pagina 195
... martial code itself . Falstaff questions the code , of course ; but his cowardice fits his role as buffoon , or Lord of Misrule , and his stabbing of Percy's corpse is disgraceful . Hal's redemption comes about largely through his ...
... martial code itself . Falstaff questions the code , of course ; but his cowardice fits his role as buffoon , or Lord of Misrule , and his stabbing of Percy's corpse is disgraceful . Hal's redemption comes about largely through his ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged