Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 95
... Look on this tragic loading in this bed . This is thy work . ( V , ii ) BEWITCHED DESDEMONA Like Othello , Desdemona is a controversial character whose behavior has been difficult to understand . Is she little less than a saint , or a ...
... Look on this tragic loading in this bed . This is thy work . ( V , ii ) BEWITCHED DESDEMONA Like Othello , Desdemona is a controversial character whose behavior has been difficult to understand . Is she little less than a saint , or a ...
Pagina 135
... look like spiritual growth , but from my perspective it is not . Lear's " let's away to prison " speech shows little sensitivity to Cordelia , a new kind of magic bargain , and a strong tendency toward embeddedness . When his new ...
... look like spiritual growth , but from my perspective it is not . Lear's " let's away to prison " speech shows little sensitivity to Cordelia , a new kind of magic bargain , and a strong tendency toward embeddedness . When his new ...
Pagina 219
... look on Silvia in the day , There is no day for me to look upon . ( III , i ) The courtly love tradition , which is strongly felt in this play , provides another cultural code that idealizes self - effacing behavior on the part of the ...
... look on Silvia in the day , There is no day for me to look upon . ( III , i ) The courtly love tradition , which is strongly felt in this play , provides another cultural code that idealizes self - effacing behavior on the part of the ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged