Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 2
... kind . They are those in which we believe that we can control fate by living up to its presumed dictates not after it grants our wishes but before . If we think , feel , and behave as we are supposed to , we will receive our just ...
... kind . They are those in which we believe that we can control fate by living up to its presumed dictates not after it grants our wishes but before . If we think , feel , and behave as we are supposed to , we will receive our just ...
Pagina 105
... kind lord ” ( V , ii ) . Part of Des- demona's feeling of guilt derives from her need to defend Othello : she blames herself in order to excuse him . " WHO HATH DONE THIS DEED ? " Desdemona needs to protect not only her pride in Othello ...
... kind lord ” ( V , ii ) . Part of Des- demona's feeling of guilt derives from her need to defend Othello : she blames herself in order to excuse him . " WHO HATH DONE THIS DEED ? " Desdemona needs to protect not only her pride in Othello ...
Pagina 126
... kind father , whose frank heart gave all ! O , that way madness lies ; let me shun that ! ( III , iv ) The very awfulness of the night is a kind of satisfaction to him because it heightens the pathos of his plight . He is acting out a ...
... kind father , whose frank heart gave all ! O , that way madness lies ; let me shun that ! ( III , iv ) The very awfulness of the night is a kind of satisfaction to him because it heightens the pathos of his plight . He is acting out a ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged