Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 104
... guilt toward her father . It is no accident that we learn of his death soon after the death of his daughter . Dramatically , this has the effect of making her death seem not quite so absurd . Another reason why Desdemona feels self ...
... guilt toward her father . It is no accident that we learn of his death soon after the death of his daughter . Dramatically , this has the effect of making her death seem not quite so absurd . Another reason why Desdemona feels self ...
Pagina 105
... guilt derives from her need to defend Othello : she blames herself in order to excuse him . " WHO HATH DONE THIS DEED ? " Desdemona needs to protect not only her pride in Othello , but also her pride in herself . She takes the blame to ...
... guilt derives from her need to defend Othello : she blames herself in order to excuse him . " WHO HATH DONE THIS DEED ? " Desdemona needs to protect not only her pride in Othello , but also her pride in herself . She takes the blame to ...
Pagina 125
... guilt because of his own injustice to Cordelia . As he calls upon the gods to strike terror into sinners , he begins to fear that he is directing their wrath at himself . His assertion that he is a man more sinned against than sinning ...
... guilt because of his own injustice to Cordelia . As he calls upon the gods to strike terror into sinners , he begins to fear that he is directing their wrath at himself . His assertion that he is a man more sinned against than sinning ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged