Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 2
... force with which we are negotiat- ing dictates that we should . This type of bargaining has rich psychological implications ... forces but by the dictates of our predominant defensive strategy . Bargaining is a magical process in which ...
... force with which we are negotiat- ing dictates that we should . This type of bargaining has rich psychological implications ... forces but by the dictates of our predominant defensive strategy . Bargaining is a magical process in which ...
Pagina 178
... forces of Malcolm , the young prince whose father he killed and whose place he has usurped . The perfectionistic Banquo does not get his just deserts , but the perfectionistic Malcolm does . The death of Macbeth is in harmony not only ...
... forces of Malcolm , the young prince whose father he killed and whose place he has usurped . The perfectionistic Banquo does not get his just deserts , but the perfectionistic Malcolm does . The death of Macbeth is in harmony not only ...
Pagina 190
... forces of good . According to Jan Kott , there are two kinds of historical drama . The first " is based on the conviction that history has a meaning . . . and leads in a definite direction " ( 1974 , 36 ) . The second originates " in ...
... forces of good . According to Jan Kott , there are two kinds of historical drama . The first " is based on the conviction that history has a meaning . . . and leads in a definite direction " ( 1974 , 36 ) . The second originates " in ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged