Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 118
... effects . There is no confusion of effect concerning Lear in the opening scene . The play begins as a tragedy of character in which the protagonist's flaws are chiefly responsible for the catastrophe . Goneril and Regan are neces- sary ...
... effects . There is no confusion of effect concerning Lear in the opening scene . The play begins as a tragedy of character in which the protagonist's flaws are chiefly responsible for the catastrophe . Goneril and Regan are neces- sary ...
Pagina 128
... effect . They are transitory phases rather than stages in a steady moral growth . It is understandable that he should have a dawning awareness of what life is like for the poor naked wretches of the world and a realization of his ...
... effect . They are transitory phases rather than stages in a steady moral growth . It is understandable that he should have a dawning awareness of what life is like for the poor naked wretches of the world and a realization of his ...
Pagina 173
... effects , and its conclusion is more satisfactory . In no other tragedy does the death of the main character satisfy ... effect , moreover , by making us regard Macbeth as both a monstrous and a sympathetic figure . He achieves this , in ...
... effects , and its conclusion is more satisfactory . In no other tragedy does the death of the main character satisfy ... effect , moreover , by making us regard Macbeth as both a monstrous and a sympathetic figure . He achieves this , in ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged