Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 111
... daughters . The major reason he gives is that he wants to " shake all cares and business from [ his ] age " and " Un- burden'd crawl toward death " ( I , i ) . Despite his advanced years , Lear shows no signs of inability to carry out ...
... daughters . The major reason he gives is that he wants to " shake all cares and business from [ his ] age " and " Un- burden'd crawl toward death " ( I , i ) . Despite his advanced years , Lear shows no signs of inability to carry out ...
Pagina 124
... daughters and to feed in this way both his rage and self - pity . His first speech is dominated by rage and the next by self - pity : Rumble thy bellyful ! Spit , fire ! spout , rain ! Nor rain , wind , thunder , fire are my daughters ...
... daughters and to feed in this way both his rage and self - pity . His first speech is dominated by rage and the next by self - pity : Rumble thy bellyful ! Spit , fire ! spout , rain ! Nor rain , wind , thunder , fire are my daughters ...
Pagina 130
... daughters by exposing himself to the storm . It is not typical for Lear , of course , to express his rage by turning it against himself ; he would much prefer to turn it against others and to express it through violent retaliation . He ...
... daughters by exposing himself to the storm . It is not typical for Lear , of course , to express his rage by turning it against himself ; he would much prefer to turn it against others and to express it through violent retaliation . He ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged