Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 63
... calls for aggressive action , we have in this play two characters who behave more aggressively than is warranted by the offenses to which they are reacting . Here the tragedy arises from the hero's taking his revenge not too slowly ...
... calls for aggressive action , we have in this play two characters who behave more aggressively than is warranted by the offenses to which they are reacting . Here the tragedy arises from the hero's taking his revenge not too slowly ...
Pagina 124
... call'd you children , You owe me no subscription . Then let fall Your horrible pleasure . Here I stand your slave , A poor , infirm , weak , and despis'd old man . But yet I call you servile ministers , That will with two pernicious ...
... call'd you children , You owe me no subscription . Then let fall Your horrible pleasure . Here I stand your slave , A poor , infirm , weak , and despis'd old man . But yet I call you servile ministers , That will with two pernicious ...
Pagina 126
... his limitations as a father - except , of course , in his rejection of Cordelia ; and the rhe- toric of the play calls no attention to them after the opening scene . Lear declines once again to enter the hovel , but 126 KING LEAR.
... his limitations as a father - except , of course , in his rejection of Cordelia ; and the rhe- toric of the play calls no attention to them after the opening scene . Lear declines once again to enter the hovel , but 126 KING LEAR.
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged