Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 44
... becomes so prominent in act 2. He is losing faith in justice , in other people , and in himself . It is important to recognize that Hamlet has an idealized image that he is trying to actualize . He wants to live without sin ; that is ...
... becomes so prominent in act 2. He is losing faith in justice , in other people , and in himself . It is important to recognize that Hamlet has an idealized image that he is trying to actualize . He wants to live without sin ; that is ...
Pagina 110
... become permanently infantile . The func- tion of others is to satisfy his desires ; if they do not do this , they ... becomes petulant at any real or imagined opposition . As is typical in the narcissistic person , his idealized image ...
... become permanently infantile . The func- tion of others is to satisfy his desires ; if they do not do this , they ... becomes petulant at any real or imagined opposition . As is typical in the narcissistic person , his idealized image ...
Pagina 264
... becomes " the prime duke , being so reputed / In dignity , and for the liberal arts / Without a parallel " ( II , ii ) . He is not without ambition and a hunger for power , but he satisfies these needs in a detached way . Prospero's ...
... becomes " the prime duke , being so reputed / In dignity , and for the liberal arts / Without a parallel " ( II , ii ) . He is not without ambition and a hunger for power , but he satisfies these needs in a detached way . Prospero's ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged