Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 214
... ( Numbers 25 , 29 , 30 , 37 , 91 ) . The poet is morbidly dependent upon the friend . The friend is his only delight ( Number 75 ) , he cannot enjoy anything unless he shares it with him ( Number 97 ) , and only his opinion matters ( Number ...
... ( Numbers 25 , 29 , 30 , 37 , 91 ) . The poet is morbidly dependent upon the friend . The friend is his only delight ( Number 75 ) , he cannot enjoy anything unless he shares it with him ( Number 97 ) , and only his opinion matters ( Number ...
Pagina 215
... ( Numbers 40 , 41 , 42 ) , by blaming himself ( Numbers 118 , 119 ) , and by arguing on the friend's behalf : " Thy adverse party is thy advocate- / And ' gainst myself a lawful plea commence " ( Number 35 ; also Numbers 88 , 89 ) . I do ...
... ( Numbers 40 , 41 , 42 ) , by blaming himself ( Numbers 118 , 119 ) , and by arguing on the friend's behalf : " Thy adverse party is thy advocate- / And ' gainst myself a lawful plea commence " ( Number 35 ; also Numbers 88 , 89 ) . I do ...
Pagina 216
... ( Number 133 ) , a vassal wretch " ( Number 141 ) , with a " doting heart " ( Number 131 ) , who is " mortgaged to [ her ] will " ( Number 134 ) . He partakes with her against himself ( Number 149 ) and even hopes she will succeed with ...
... ( Number 133 ) , a vassal wretch " ( Number 141 ) , with a " doting heart " ( Number 131 ) , who is " mortgaged to [ her ] will " ( Number 134 ) . He partakes with her against himself ( Number 149 ) and even hopes she will succeed with ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged