Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 118
... Lear who gives them the power to hurt him . The comments of Kent , of France , of Goneril and Regan in the first scene and of Gloucester in the second make clear the baselessness and folly of Lear's behavior . They are quite in keeping ...
... Lear who gives them the power to hurt him . The comments of Kent , of France , of Goneril and Regan in the first scene and of Gloucester in the second make clear the baselessness and folly of Lear's behavior . They are quite in keeping ...
Pagina 120
... Lear is a play of magnificently articulated anger . Hamlet's rage is that of a son toward a mother , and he represses it until the closet scene . Lear's is the rage of a father toward his children , and he expresses it from the ...
... Lear is a play of magnificently articulated anger . Hamlet's rage is that of a son toward a mother , and he represses it until the closet scene . Lear's is the rage of a father toward his children , and he expresses it from the ...
Pagina 128
... Lear does not experience some genuine growth as a result of his suffering . It enlarges his imagination , enabling him to feel with those in like circumstances . His self - pity is turned ... LEAR "Unaccommodated Man”: Lear and "Poor Tom"
... Lear does not experience some genuine growth as a result of his suffering . It enlarges his imagination , enabling him to feel with those in like circumstances . His self - pity is turned ... LEAR "Unaccommodated Man”: Lear and "Poor Tom"
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged