Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 112
... Cordelia , who loves him most , whom he loves most , and who is to receive the most opulent portion . The object of the love test is not to determine who shall ... Cordelia that compels her to be cold 112 KING LEAR Cordelia's Compulsiveness.
... Cordelia , who loves him most , whom he loves most , and who is to receive the most opulent portion . The object of the love test is not to determine who shall ... Cordelia that compels her to be cold 112 KING LEAR Cordelia's Compulsiveness.
Pagina 116
... Cordelia , and Kent behaves much as Cor- delia had with her father . Kent's counsel is good , just as Cordelia's re- sponse is proper ; but his behavior , like hers , is provocative , and for sim- ilar reasons . Kent , too , is a ...
... Cordelia , and Kent behaves much as Cor- delia had with her father . Kent's counsel is good , just as Cordelia's re- sponse is proper ; but his behavior , like hers , is provocative , and for sim- ilar reasons . Kent , too , is a ...
Pagina 143
... CORDELIA The death of Cordelia is one of the most disturbing things in Shake- speare , so much so that for over one hundred years Nahum Tate's happily ending version of the play held the stage . One reason for this is that the play ...
... CORDELIA The death of Cordelia is one of the most disturbing things in Shake- speare , so much so that for over one hundred years Nahum Tate's happily ending version of the play held the stage . One reason for this is that the play ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged