Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His PlaysSpringer US, 1 ian. 1991 - 303 pagini |
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Pagina 74
... Cassio is an " honest fool " whom Iago can easily exploit for his own purposes . He plays upon Cassio's compliancy to make him drunk , and upon his anxiety to be taken back to get him to plead incessantly for Desdemona's intervention ...
... Cassio is an " honest fool " whom Iago can easily exploit for his own purposes . He plays upon Cassio's compliancy to make him drunk , and upon his anxiety to be taken back to get him to plead incessantly for Desdemona's intervention ...
Pagina 85
... Cassio with great credibility ; he speaks with reluctance and appears to be engaged in Cassio's defense . Since Othello tends to idealize those around him , making them , in this way , fit complements to his own greatness , he has no ...
... Cassio with great credibility ; he speaks with reluctance and appears to be engaged in Cassio's defense . Since Othello tends to idealize those around him , making them , in this way , fit complements to his own greatness , he has no ...
Pagina 101
... Cassio's plea partly because she identifies with him . " Thrice - gentle Cassio " ( III , iv ) is , like Desdemona , a self - effacing person who wishes to merge with the powerful Othello . Iago plays not only upon Desdemona's need to ...
... Cassio's plea partly because she identifies with him . " Thrice - gentle Cassio " ( III , iv ) is , like Desdemona , a self - effacing person who wishes to merge with the powerful Othello . Iago plays not only upon Desdemona's need to ...
Cuprins
Introduction | 1 |
Bargains Defenses and Cultural Codes | 15 |
Hamlet | 35 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Bernard J. Paris Previzualizare limitată - 2013 |
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and ... Maria Jarosz Previzualizare limitată - 2017 |
Termeni și expresii frecvente
action aggressive bargain becomes begins behavior believe calls Cassio characters claims Claudius Cordelia course critics dark daughters death defense Desdemona despised Duke duty Edgar effect evil experience express fact fate father fear feels fool forces forgiveness gain gives guilt Hamlet Henry honor Horney human Iago Iago's idealized image inner conflicts innocent justice kill kind King Lady Lear Lear's live look loyalty Macbeth magic marriage martial means mind moral murder nature never Number observed once Othello perfectionistic person play present pride Prospero psychological punished rage reality reason relationship response result revenge says scene seems self-effacing self-hate sense Shakespeare shows side similar situation solution sonnets speech strategies suffering theory things thou thought threatened Timon tion tragedies true trying turns understand University values violates virtue wants wishes wronged