Natural Drills in Expression, with Selections: A Series of Exercises, Colloquial and Classical, Based Upon the Principles of Reference to Experience and Comparison, and Chosen for Their Practical Worth in Developing Power and Naturalness in Reading and SpeakingNewton Company, 1916 - 367 pagini |
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Pagina 8
... sounds . The something in these sounds which proclaims the feeling we call tone . 5. The Best Way to Develop the Power to Portray Feel- ing ( Oral Responsiveness ) is to Practice the Rendering of Familiar Phrases , Sentences , and ...
... sounds . The something in these sounds which proclaims the feeling we call tone . 5. The Best Way to Develop the Power to Portray Feel- ing ( Oral Responsiveness ) is to Practice the Rendering of Familiar Phrases , Sentences , and ...
Pagina 26
... Sound them , it doth become the mouth as well ; Weigh them , it is as heavy ; conjure with them , Brutus will start a spirit as soon as Caesar . SHAKESPEARE , Julius Caesar , i , 2 . 46. COMMAND : ( See Authority . ) a - Halt ! b - Stop ...
... Sound them , it doth become the mouth as well ; Weigh them , it is as heavy ; conjure with them , Brutus will start a spirit as soon as Caesar . SHAKESPEARE , Julius Caesar , i , 2 . 46. COMMAND : ( See Authority . ) a - Halt ! b - Stop ...
Pagina 32
... sound of a pop - gun . Classical . b - And who doth lead them but a paltry fellow , . . . A milk sop , one that never in his life Felt so much cold as overshoes in snow ? 66. DESPAIR : SHAKESPEARE , Richard III , v , 3 . Colloquial . a ...
... sound of a pop - gun . Classical . b - And who doth lead them but a paltry fellow , . . . A milk sop , one that never in his life Felt so much cold as overshoes in snow ? 66. DESPAIR : SHAKESPEARE , Richard III , v , 3 . Colloquial . a ...
Pagina 67
... sounds of music Creep in our ears ; soft stillness and the night Become the touches of sweet harmony . 204. TRIUMPH : SHAKESPEARE , Merchant of Venice , v , 1 . Colloquial . a ― There , I told you my course would be approved . b ...
... sounds of music Creep in our ears ; soft stillness and the night Become the touches of sweet harmony . 204. TRIUMPH : SHAKESPEARE , Merchant of Venice , v , 1 . Colloquial . a ― There , I told you my course would be approved . b ...
Pagina 74
... sound of a voice that is still . Break , break , break , At the foot of thy crags , O Sea ! But the tender grace of a day that is dead Will never come back to me . Suppose the student ignores the existence of a united aim in this poem ...
... sound of a voice that is still . Break , break , break , At the foot of thy crags , O Sea ! But the tender grace of a day that is dead Will never come back to me . Suppose the student ignores the existence of a united aim in this poem ...
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Alte ediții - Afișează-le pe toate
Natural Drills in Expression, with Selectins: A Series of Exercises ... Arthur Edward Phillips Vizualizare completă - 1909 |
Natural Drills in Expression with Selections: A Series of Exercises ... Arthur Edward Phillips Vizualizare completă - 1916 |
Natural Drills in Expression, with Selections: A Series of Exercises ... Arthur Edward Phillips Vizualizare completă - 1909 |
Termeni și expresii frecvente
a-Do a-You Admiration agony ALFRED TENNYSON American arms awful beauty Belshazzar blood break breath Cæsar Classical Colloquial Conservatism Contempt Coriolanus dark dead dear death doth dream earth eternal expression eyes fair fall father fear feeling FELICIA HEMANS fool gentlemen Gesler give Glaucus glorious glory Hamlet hand Harfleur hast hates hath head hear heard heart heaven Henry Henry VI honor hope human Julius Caesar King Lear kiss Lady laughed liberty light listener live look Lord Macbeth Merchant of Venice never night o'er Othello pause peace Practice Tone Drills prominence Richard Richard III Romeo and Juliet shame sleep smile solemn soul sound speak speaker spirit stand student sublime sweet sword tears tell thee thine thing THOMAS HOOD thou thought thousand tion United Aim Utter voice WILLIAM SHAKESPEARE words