Love's Labor's LostPenguin, 10 apr. 2018 - 160 pagini The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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Pagina 60
... English as part of their curricula. In these forms, drama was established and socially acceptable. Professional theater, in contrast, existed on the margins of society. The acting companies were itinerant; playhouses could be any ...
... English as part of their curricula. In these forms, drama was established and socially acceptable. Professional theater, in contrast, existed on the margins of society. The acting companies were itinerant; playhouses could be any ...
Pagina 68
... English Stage, 1580–1642 (1985); Andrew Gurr, The Shakespearean Stage, 1574–1642, 3rd ed. (1992), and the same author's Playgoing in Shakespeare's London, 2nd ed. (1996); Roslyn Lander Knutson, Playing Companies and Commerce in ...
... English Stage, 1580–1642 (1985); Andrew Gurr, The Shakespearean Stage, 1574–1642, 3rd ed. (1992), and the same author's Playgoing in Shakespeare's London, 2nd ed. (1996); Roslyn Lander Knutson, Playing Companies and Commerce in ...
Pagina 69
... , two lengthy narrative poems, and some shorter poems? While many families by the name of Shakespeare (or some variant spelling) can be identified in the English Midlands as far back as the twelfth century, it seems likely that.
... , two lengthy narrative poems, and some shorter poems? While many families by the name of Shakespeare (or some variant spelling) can be identified in the English Midlands as far back as the twelfth century, it seems likely that.
Pagina 72
... English writers, Meres lists the titles of many of Shakespeare's plays, including one not now known, Love's Labor's Won, and praises his “mellifluous & hony-tongued” “sugred Sonnets,” which were then circulating in manuscript (they were ...
... English writers, Meres lists the titles of many of Shakespeare's plays, including one not now known, Love's Labor's Won, and praises his “mellifluous & hony-tongued” “sugred Sonnets,” which were then circulating in manuscript (they were ...
Pagina 74
... English literature, history, and society. Another American amateur, Catharine F. Ashmead Windle, made the next influential contribution to the cause when she published Report to the British Museum (1882), wherein she promised to.
... English literature, history, and society. Another American amateur, Catharine F. Ashmead Windle, made the next influential contribution to the cause when she published Report to the British Museum (1882), wherein she promised to.
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actors affected appears ARMADO arms audience beauty BEROWNE blood BOYET break called comes COSTARD court dance death desire doth DULL DUMAINE English Enter Exit eyes face fair faith father favor figure folio fool forsworn four France give grace hand hath head hear heart heaven Hector hold HOLOFERNES Jaquenetta KATHERINE keep KING l’envoi lady language learned letter light living LONGAVILLE look lord Lost Love’s lovers madam MARIA mark married master mean measure mocking MOTH NATHANIEL Navarre never oath once performances play praise PRINCESS printed prove punning reason rhyme ROSALINE seems Shakespeare speak speech stage stand stay sweet taken tell theater thee thing thou tongue true turn wench wish woman Worthies write