Keyframes: Popular Cinema and Cultural StudiesMatthew Tinkcom, Amy Villarejo Routledge, 29 aug. 2003 - 416 pagini Keyframes introduces the study of popular cinema of Hollywood and beyond and responds to the transformative effect of cultural studies on film studies. The contributors rethink contemporary film culture using ideas and concerns from feminism, queer theory, 'race' studies, critiques of nationalism, colonialism and post-colonialism, the cultural economies of fandom, spectator theory, and Marxism. Combining a film studies focus on the film industry, production and technology with a cultural studies analysis of consumption and audiences, Keframes demonstrates the breadth of approaches now available for understanding popular cinema. Subjects addressed include: * Studying Ripley and the 'Alien' films * Pedagogy and Political Correctness in Martial Arts cinema * Judy Garland fandom on the net * Stardom and serial fantasies: Thomas Harris's 'Hannibal' * Tom Hanks and the globalization of stars * Queer Bollywood * Jackie Chan and the Black connection * '12 Monkeys', postmodernism and urban space. |
Din interiorul cărții
Rezultatele 1 - 5 din 77
Pagina v
... Woman as inter/national sign 31 Introduction 33 1 “You've been in my life so long I can't remember anything else”: into the labyrinth with Ripley and the Alien 35 PAMELA CHURCH GIBSON 2 Warrior marks: global womanism's neo-colonial ...
... Woman as inter/national sign 31 Introduction 33 1 “You've been in my life so long I can't remember anything else”: into the labyrinth with Ripley and the Alien 35 PAMELA CHURCH GIBSON 2 Warrior marks: global womanism's neo-colonial ...
Pagina 6
... woman-as-caretaker), but they also have the power to enact themselves as subjects of actions—they have volition and desires and at least ostensibly can participate in Western democracies through their forms of organization and voting ...
... woman-as-caretaker), but they also have the power to enact themselves as subjects of actions—they have volition and desires and at least ostensibly can participate in Western democracies through their forms of organization and voting ...
Pagina 9
... woman, and, moreover, such shoring up of the male subject's power is precisely the “visual pleasure” of the classical narrative structure and its “gaze.” To confront the violences of this pleasure is to delve into the mechanisms of the ...
... woman, and, moreover, such shoring up of the male subject's power is precisely the “visual pleasure” of the classical narrative structure and its “gaze.” To confront the violences of this pleasure is to delve into the mechanisms of the ...
Pagina 13
... woman's film” of the 1940s), as well as issues of reception, the role of women directors, the possibilities of independent or alternative cinema and the like. A subset, if you like, of this work was pioneered by Bellour and by his ...
... woman's film” of the 1940s), as well as issues of reception, the role of women directors, the possibilities of independent or alternative cinema and the like. A subset, if you like, of this work was pioneered by Bellour and by his ...
Pagina 20
... woman's “appropriation” might be another woman's long-sought-for image of a desire like her own. Psychoanalysis has aided queer theory in thinking about how such desires work. Our discussion of the reading of Freud in the British ...
... woman's “appropriation” might be another woman's long-sought-for image of a desire like her own. Psychoanalysis has aided queer theory in thinking about how such desires work. Our discussion of the reading of Freud in the British ...
Alte ediții - Afișează-le pe toate
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2001 |
Keyframes: Popular Cinema and Cultural Studies Matthew Tinkcom,Amy Villarejo Previzualizare limitată - 2003 |
Termeni și expresii frecvente
12 Monkeys aesthetic Alien Alien Resurrection American argue audience Bo-wing Bob Perelman Born in East Bruce Lee Catherine Chan Chan’s Chicano Chinese cinema commodity contemporary context critical cultural studies cure desire discourse discussion East L.A. economic essay ethnic fans fantasy female feminism feminist figure film studies film’s gay male gay pornography gender global Hannibal heterosexual Hollywood homosexuality Hong Kong identity ideology industry Jackie Jackie Chan Judy Garland KWRU labor Lanza lesbian Lurene madness Mario Lanza martial arts media arts motion picture movie narrative political popular porn postmodern practices production projection projectionist psychoanalysis queer racial reading relation representation Ripley role romance Routledge Rudy scene screen Sebastian sexual social sodomy sound space spectator stardom structure talking cure television textual theater theory tion tourist transnational University Press urban viewers visual voice Walker Warrior Marks woman women York